by Simon | Feb 28, 2017 | Mastering, Software
Mastering is all about making an already good mix sound even better. Using a mastering-grade compressor, then, is pretty much mandatory as it helps to glue all the different parts together, and make them sound more coherent. In many cases, a stereo (L-R) compressor...
by Simon | Feb 22, 2017 | Mixing, Software
So, we’ve been working on a little industrial tune lately. Everything is pretty much finished, except the drums sound a little dry and plain in their current state – time to change that! For this we reach for a real ‘Swiss Army Knife’ kind of plugin: the saturation...
by quinto | Feb 21, 2017 | Software, Software Product
Ch5. A Channel Strip modeled after one of the most classic consoles around. Mic channel. Character. Smooth Hipass and Lowpass. Four bands of “discrete” EQ for classic sound. “Proportional Q”. Vintage characterful compressor. Aggressive where...
by quinto | Feb 17, 2017 | Mixing, Recording, Software
Which one is the best microphone in this comparison. Hitting drums and cymbals. Microphone comparison, which one is better, why. Track1 Track2
by Simon | Feb 15, 2017 | Mixing, Software
Today we’re going to use the Rev250 reverb plugin to turn a dry and sterile clean rock guitar riff into an atmospheric, deep melody. As you might already know, the Rev250 is modeled on the first digital reverb that was originally introduced way back in the 1970s. This...
by Simon | Feb 2, 2017 | Mastering, Mixing, Software
In this tutorial, we will use the GTS39 – Limiting Tube Compressor to finalize a modern EDM track. The song has already been mixed down, and is ready for mastering. The GTS39 plugin seems to be a very simple piece of software at first glance. But don’t let the clean...
