by Simon | Apr 6, 2016 | Mastering, Mixing, Software
Digital audio is often said to be too clear, sterile, almost. While this may definitely have its advantages and make life easier in quite a few ways, many people still miss the warmth and musical imperfections of analog recordings. Luckily we can re-create these...
by Simon | Mar 31, 2016 | Mixing, Software
When one thinks 80s and rock music there are a couple of things that immediately come to mind. The first may be the infamous gated snare drum with its huge reverb on it. But then it would definitely be the super wide, super thick guitar sounds, too! Those were...
by quinto | Mar 26, 2016 | Software
This new v.2 is a main upgrade. A whole new model has been implemented, to satisfy all the users asking for a more faithful behaviour,mainly for light compression. It also adds a lot of colors to the palette. Compatibility: if you replave v.1 with v.2 and open an old...
by Simon | Mar 24, 2016 | Mixing, Software
Originally designed for breathing life into dull drum loops, PolyJam can also be used on totally different material, like a simple synth sound for instance, with equally impressive results, that is! Not convinced, yet? Well, then let’s get to work! Here’s our example...
by Simon | Mar 16, 2016 | Mastering, Mixing, Software
So called New York- or parallel-compression is a very popular technique in mixing and mastering alike. The idea behind this concept is simple, yet effective: Instead of processing the complete audio signal at once, it is divided into one dry and one (heavily)...
by quinto | Mar 16, 2016 | Software
Verbtone is a physical model of a plate reverb. Physical modeling means that the processing is designed starting from physical laws to get a behavior and a sound resembling the real thing. Main advantages are realism and the sound that, in this case, doesn’t...
