Carbon Delay is a faithful model of an Analog BBD Delay pedal, with its organic sound and an optional Modulation mode which adds a chorus quality with short or long delay settings and a great separation of echoes from the source with discrete delay settings.
Great on guitar, it is useful on all kinds of sources while keeping an extremely simple set of controls and features. It just sounds right.
(NOTE: these are single VST/AU/AAX plugins. Licenses include all future formats as pedal-board single plugin and for standalone hardware unit.)
MissTress Flanger – That “jet” quality. Dual versions (time machine). 1976 and 1979 version models. On electric guitar:
On electric bass:
Demo overdrive + MissTress:
Demo lead + MissTress:
“In The Flesh” MissTress demo:
C2 Chorus – Almost a standard. Ethereal. Great on clean sounds. Adds variation, character and dimension to distorted sounds. On electric guitar:
On electric bass:
Demo overdrive + C2:
C2 demo:
“In The Flesh” C2:
Demo lead C2:
UV Shifter – Modeled after the old one, the Vibe with a lamp inside. Modeled after the famous vintage version of an UniVibe. A lamp light emission is modulated by an oscillator and four light-dependent resistances affect the response of relevant phase-rotation stages. The result is an unique and unmistakable combination of pitch-shifting, chorus and frequency-dependent tremolo that cannot be emulated by other styles of modulation. On electric guitar:
On electric bass:
Overdrive + UV demo:
Lead UV demo:
“Us and Them” UV:
P90 Phaser – Simply it, the four-stages phaser. The classical four stage phasing effect, from deep sweeps to strong effects. A touch to add variation to overdriven sounds. On electric guitar:
On electric bass:
“Have a Cigar” P90:
P90 on electric piano:
Carbon Delay – A brigade of analog memory units. Modulated. An analog delay based on analog “bucket brigade” delay units. Clean enough, dirty enough. With optional modulation. Add echoes or thickness to the sound. On electric guitar:
On electric bass:
Sweet Honey Overdrive – Deluxe edition – From Mad Professor Amplification! Mad Professor Sweet Honey Overdrive (SHOD) is a touch sensitive low gain overdrive pedal handmade in Finland. It is designed to overdrive distorted amplifiers and give dynamically controlled light overdrive on clean sounds. Distortion level can be controlled by pick attack and pickup strength. Harder picking for overdrive and softer for a cleaner tone. With the unique Focus control, you can adjust the feel and dynamics of the pedal as well as overall EQ. Turning Focus CCW you need to play harder to get distortion and the tone is softer, great for jazz and blues. Focus turned CW gives a slight treble boost and earlier distortion. On electric guitar, starting with relatively light action:
On electric guitar, testing the dynamic response, from clean to overdriven:
On electric guitar, overdriven:
On bass, in a split configuration, as an effect:
WA wah wah pedal – From the old times, the classic pedal controlled wah. With its “vocal” sound, a dynamic filter controlled by a pedal (or any MIDI controller) for realtime (or automated) control on guitar’s voice.
WA with SHOD on Deluxe1:
Some more WA with SHOD on Deluxe1:
In a song, to get some “’70s” feeling. “Seventies Chase”:
DComp – The “standard” guitar/bass compressor with lots of attitude. One of the most sought-after guitar compressors, with its typical “twang” and strongly frequency-dependent response.
Clean Electric Guitar 1:
Clean Electric Guitar 2:
Clean Electric Guitar 3:
Clean Electric Guitar 4:
Clean Electric Guitar 4 + Sweet Honey Overdrive:
This is a raw (un-mixed, no reverbs) song that showcases almost all the pedals in the bundle: MissTress, C2, P90, UV, SHOD, Carbon:
(NOTE: these are single VST/AU/AAX plugins. Licenses include all future formats as pedal-board single plugin and for standalone hardware unit.)